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Thoughts on The Art of Famous Doyra Players
Turekhanov Farhod , Teacher of the Musical Pedagogy, Uzbekistan State Conservatory, UzbekistanAbstract
This article provides an in-depth overview of Usta Olim Komilov's contributions to Uzbek performing arts, particularly in the fields of doyra playing and traditional dance. It highlights his early career with the ethnographic ensemble led by Mukhiddin Qori Yoqubov and his collaborations with renowned artists such as Tamaraxonim, Tokhtasin Jalilov, and Abduqodir Ismoilov. The article emphasizes his role in preserving and systematizing centuries-old doyra techniques, culminating in the publication of the Doyra Darsi (Doyra Lesson) method book in 1982.
Keywords
Doyra, Uzbek national dances, Performance traditions
References
Abdujabborov, I. (2005). Uzbek folk instruments. Tashkent: Gafur Ghulom Publishing House.
Karimov, A. (2012). Central Asian rhythm culture and traditions of circle performance. Tashkent: Ma'naviyat Publishing House.
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Rudenko, V. (1985). Uzbek Percussion Instruments and Their Artistic Features. Moscow: Nauka.
Rashidov, K. (2020). Circle art: traditions and modern approaches. Tashkent: San'at Publishing House.
Matyakubov, O. (2008). "Circle performance and its role in Uzbek national musical culture". Uzbekistan Journal of Art Studies, 3(1), 45–58.
Yuldashev, H. (2016). "Musical Rhythms and Their Importance in the Pedagogical Process". Education and Innovation, 4(2), 120–134.
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Copyright (c) 2025 Turekhanov Farhod
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This work is licensed under a Creative Commons Attribution 4.0 International License.
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