GENRE ORIGINALITY OF N. SULEYMANOV'S CREATIVITY
DOI:
https://doi.org/10.55640/eijmrms-02-12-39Keywords:
Story, genre, autobiography, documentary story, artistic methodsAbstract
This article presents the results of a study of N. Suleymanov's work in terms of autobiographical and documentary nature of his works. The author of the article considers the concepts of "genre", "autobiographical story", "documentary prose".
References
Voloshina S.V. Autobiographical discourse as an object of linguistic analysis//Vestn. Irkut. State Linguistic University. 2014. No. 2. P. 267–273.
Zaretsky Yu. P. The phenomenon of medieval autobiography // History of subjectivity: Medieval Europe.
Zenkin S.N. Introduction to Literary Studies: Theory of Literature. M.: RGGU, 2000, .81c.
Karasik V.I. Language circle: personality, concepts, discourse. Volgograd: Change, 2002.477p.
Medarich M. Autobiography / Autobiography / / Auto-interpretation: collection of articles. St. Petersburg: Publishing House of St. Petersburg University, 1998. P. 5–32.
Suleymanov N. M. "Border" Termez, 2017, 120 p.
Suleimanov N. M. "My barefoot childhood" Termez, 2018, 135 p.
Suleimanov N. M. “Life is lived” Termez, 2019, 151 p.
Suleimanov N. M. “Not a day without a line” Termez, 2020, 115p.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Jalilova Amida Igorevna

This work is licensed under a Creative Commons Attribution 4.0 International License.
Individual articles are published Open Access under the Creative Commons Licence: CC-BY 4.0.