GENRE ORIGINALITY OF N. SULEYMANOV'S CREATIVITY

Authors

  • Jalilova Amida Igorevna Master, Termez State University, Uzbekistan

DOI:

https://doi.org/10.55640/eijmrms-02-12-39

Keywords:

Story, genre, autobiography, documentary story, artistic methods

Abstract

This article presents the results of a study of N. Suleymanov's work in terms of autobiographical and documentary nature of his works. The author of the article considers the concepts of "genre", "autobiographical story", "documentary prose".

References

Voloshina S.V. Autobiographical discourse as an object of linguistic analysis//Vestn. Irkut. State Linguistic University. 2014. No. 2. P. 267–273.

Zaretsky Yu. P. The phenomenon of medieval autobiography // History of subjectivity: Medieval Europe.

Zenkin S.N. Introduction to Literary Studies: Theory of Literature. M.: RGGU, 2000, .81c.

Karasik V.I. Language circle: personality, concepts, discourse. Volgograd: Change, 2002.477p.

Medarich M. Autobiography / Autobiography / / Auto-interpretation: collection of articles. St. Petersburg: Publishing House of St. Petersburg University, 1998. P. 5–32.

Suleymanov N. M. "Border" Termez, 2017, 120 p.

Suleimanov N. M. "My barefoot childhood" Termez, 2018, 135 p.

Suleimanov N. M. “Life is lived” Termez, 2019, 151 p.

Suleimanov N. M. “Not a day without a line” Termez, 2020, 115p.

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Published

2022-12-18

How to Cite

Jalilova Amida Igorevna. (2022). GENRE ORIGINALITY OF N. SULEYMANOV’S CREATIVITY. European International Journal of Multidisciplinary Research and Management Studies, 2(12), 177–179. https://doi.org/10.55640/eijmrms-02-12-39