The Role Of Grammar In Uzbek And English Literary Texts
DOI:
https://doi.org/10.55640/eijp-05-11-35Keywords:
Grammar, Uzbek literature, English literature, stylisticsAbstract
This article explores the role of grammar in Uzbek and English literary texts, emphasizing its function as both a structural and stylistic device. Grammar is not only a set of linguistic rules but also a creative instrument that shapes narrative flow, poetic rhythm, and cultural identity. By comparing Uzbek and English literature, the study highlights how grammar contributes to national expression, stylistic experimentation, and reader perception. Uzbek literature often employs grammatical structures to preserve oral traditions and poetic harmony, while English literature demonstrates both adherence to and deviation from grammatical norms, particularly in modernist and postmodernist works. The findings suggest that grammar serves as a bridge between linguistic form and artistic meaning in both traditions.
References
Cho‘lpon, A. (1934). Kecha va kunduz. Tashkent: G‘afur G‘ulom Publishing.
Qodiriy, A. (1926). O‘tkan kunlar. Tashkent: State Publishing House.
Vohidov, E. (1979). She’rlar. Tashkent: Yozuvchi Publishing.
Shakespeare, W. (1600). Hamlet. London: Globe Theatre Publications.
Dickens, C. (1859). A Tale of Two Cities. London: Chapman & Hall.
Joyce, J. (1922). Ulysses. Paris: Shakespeare and Company.
Woolf, V. (1927). To the Lighthouse. London: Hogarth Press.
Crystal, D. (2004). The Stories of English. London: Penguin.
Hasanov, B. (2015). O‘zbek tilining grammatikasi va badiiy uslub. Tashkent: Fan.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Mustafayeva Nargiza Kayumovna

This work is licensed under a Creative Commons Attribution 4.0 International License.
Individual articles are published Open Access under the Creative Commons Licence: CC-BY 4.0.