Communicative, Addressive And Compositional Bases of Monologue Classification
DOI:
https://doi.org/10.55640/eijmrms-05-11-07Keywords:
Monologue, dramatic speech, communicative approachAbstract
This article analyzes the communicative, addressive, and compositional foundations of the monologue as an essential component of dramatic speech. As an independent form of speech activity, the monologue is examined not only through its structural and genre characteristics but also through its communicative mode, that is, its classification based on the relationship between the speaker and the addressee. The study distinguishes between internal and external monologues and explains their communicative nature, speech strategies, and mechanisms of interaction. Furthermore, according to addressive features, monologues are classified into auto-addressed, hetero-addressed, and multi-addressed types, and their linguistic and functional characteristics are illustrated through examples from literary texts. The article provides a comprehensive analysis of the semantic structure, syntactic means, prosodic features, and the artistic-aesthetic and communicative functions of monologue in dramatic texts.
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