Haldun Taner is one of the most prominent figures in Turkish dramaturgy, known for his unique linguistic style and rich narrative techniques. This article focuses on the use of argo in Taner’s plays, analyzing its artistic and dramatic functions. Argo, a form of language specific to certain social groups, is often used in informal speech and serves as a powerful tool in drama to enhance realism. Haldun Taner frequently employs argo in his works to provide deeper insights into the social backgrounds, characteristics, and personalities of his characters.

The article examines how Taner integrates argo into his plays and its role in shaping social critique and artistic expression. Through an analysis of selected works, the study explores how the playwright uses character speech patterns to reflect social stratification and to add authenticity to his dialogues. Additionally, the research investigates how Taner employs argo to depict the linguistic landscape of his era, creating a more dynamic stage language while individualizing his characters. The study also evaluates the artistic impact of argo in dramatic texts and its influence on theatrical performance.

Haldun Taner, dramaturgy, argo

Books:

GÖKSEL, A., KERSLAKE, C. Turkish: A Comprehensive Grammar. London: Routledge, 2005.

HULKİ AKTUNÇ. Türkçenin Büyük Argo Sözlüğü, İstanbul: Afa Yayınları, 1990.

TANER, H. Keşanlı Ali Destanı. İstanbul: Bilgi Yayınları, 1964.

TANER, H. Gözlerimi Kaparım, Vazifemi Yaparım. İstanbul: Bilgi Yayınları, 1969.

TANER, H. Sersem Kocanın Kurnaz Karısı. İstanbul: Adam Yayınları, 1982.

Articles:

ÖZDEMİR, E. Argonun Günlük Konuşmadaki Yeri va Etkisi. Sosyolinguistik Çalışmaları, 2011, t. 7, №1, s. 34-49.

https://daragacisanat.com/2022/08/24/kesanli-ali-destani-uzerine-bir-inceleme/