The Spatial and Temporal Organization of D. Glukhovsky’s Novels

Abstract

The works of Dmitry Glukhovsky occupy a significant place in contemporary Russian literature, particularly within the framework of dystopian and post-apocalyptic fiction. One of the key artistic features of his novels is the complex organization of space and time, which plays a crucial role in shaping the narrative structure and ideological content. This article examines the spatial and temporal organization of Glukhovsky’s novels, focusing primarily on the Metro trilogy and related works. The study analyzes the chronotope as a central literary category and reveals how spatial confinement, temporal distortion, and cyclical time contribute to the representation of post-apocalyptic reality and human consciousness. The article highlights the symbolic and philosophical functions of space and time in Glukhovsky’s artistic worldview.