The Psychological Portrait of Literary Characters in The Short Stories of Somerset Maugham And Abdulla Kahhor

Authors

  • Sheralieva Dildora Abduvakhob kizi Basic Doctoral Student, English teacher, Language and Translation faculty, The Department of Teaching English language methodology, Namangan State Institute of Foreign Languages named after Is’hokhon Ibrat, Uzbekistan

DOI:

https://doi.org/10.55640/eijps-06-05-29

Keywords:

Character psychology, inner conflict, emotional tension

Abstract

This article examines the psychological portrait of literary characters in the short stories of Somerset Maugham and Abdulla Kahhor. Using comparative, typological, and textual analysis, the study explores how both writers reveal the inner world of their characters through psychological conflict, emotional tension, and social influences. The research focuses on The Kite and The Headless Man, The Luncheon and Pomegranate, as well as Alien Corn and The Artist. The analysis shows that both authors employ psychologism as an important artistic device for portraying human nature. While Maugham emphasizes individual psychological struggles through irony and subtle detail, Kahhor connects character psychology with social realities and family relationships. The study concludes that psychologism plays a significant role in the poetics of both writers’ short fiction.

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References

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Maugham W.S. The complete short stories. Volume II - Great Britain.: Windmill Press Kingswood Surrey, 1923.

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Published

2026-05-31

How to Cite

Sheralieva Dildora Abduvakhob kizi. (2026). The Psychological Portrait of Literary Characters in The Short Stories of Somerset Maugham And Abdulla Kahhor. European International Journal of Philological Sciences, 6(05), 143–147. https://doi.org/10.55640/eijps-06-05-29