Satirical Images in S. Jumagulov’s Novella “My Brother Got Married”

Abstract

This article analyzes the system of satirical images in Saylawbay Jumagulov’s novella “My Brother Got Married.” The study focuses on the artistic and social functions of satire in Karakalpak prose, particularly in revealing moral shortcomings, social contradictions, and problematic traditions. Using textual and interpretative methods, the research examines how satirical images are constructed through characters such as Maxset and other figures representing different social types.

The findings show that satire in the novella operates through contrast, exaggeration, and narrative perspective, especially through the use of a child narrator. The work addresses issues such as materialism, misuse of authority, and family conflicts, presenting them as socially significant problems. The article concludes that Jumagulov’s satire combines artistic expression with social critique and pedagogical value.