Stream Of Consciousness As An Artistic Device For Creating A Psychological Portrait (Based On Nirmal Varma’s Short Stories)

Authors

  • Shamsikamar F. Tilovmurodova PhD Doctoral Student, School of South Asian Languages and Literatures, Tashkent State University of Oriental Studies, 13, Amir Temur Street, Tashkent, 100060, Uzbekistan https://orcid.org/0009-0005-4388-3354

DOI:

https://doi.org/10.55640/eijps-05-10-03

Keywords:

Stream of consciousness, interior monologue, psychological portrait

Abstract

This article explores the role of stream of consciousness as a literary device in constructing psychological portraits in the short stories of Nirmal Varma. Using “एक शुरुआत” (“The Beginning”), “कुत्ते की मौत” (“The Death of a Dog”), “पहाड़” (“The Mountain”) and “अन्तर” (“Difference”) as primary texts, it analyzes how interior monologue, associative flow, and memory reveal the inner world of the characters. The study draws on William James’s theoretical framework of consciousness, Melvin Friedman’s typology, and Lydia Ginzburg’s literary interpretation. The article demonstrates that the psychological portrait becomes a central artistic tool in modern Hindi prose.

Thus, this study contributes to the understanding of the role of the stream of consciousness in Hindi prose and its function in depicting existential and psychological themes.

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References

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Published

2025-10-12

How to Cite

Shamsikamar F. Tilovmurodova. (2025). Stream Of Consciousness As An Artistic Device For Creating A Psychological Portrait (Based On Nirmal Varma’s Short Stories). European International Journal of Philological Sciences, 5(10), 17–24. https://doi.org/10.55640/eijps-05-10-03