Transformation Of Criminal Consciousness In Criminalogy And The Concept In Literature

Authors

  • Zarnigor Beknazarova Bakhromovna The university of economics and pedagogy, Uzbekistan

DOI:

https://doi.org/10.55640/jsshrf-06-05-10

Keywords:

Social psychology, Criminal group, Social injustice, criminal motive

Abstract

In the following scientific article, a comparative analysis of the detective novel "Shaytanat" by Tahiri Malik, which is considered a masterpiece of Uzbek literature, and the work "There were ten" by Agatha Christie, which is considered a masterpiece of world literature, that is, English literature, is being researched. The following should be taken into account and highlighted and discussed: 1) Analysis of the signs of social crisis through the work "They Were Ten"; 2) through the work "Shaytanat" - an analysis of the establishment of power by the defenders of the law under the shadow of crime; in both works, the violation of the system of social law gives rise to "the arbitrary establishment of justice." There is the same role in both works: Zohid in "Shaytanat," and Judge Wargrave in "They Were Ten." The purpose of this scientific article is to analyze the psychology of the character of Asadbek, the hero of the work "Shaytanat" by Tahir Malik. It is also necessary to analyze that the work of Satanat is not just a world built on crime, but a parallel world that arose as a result of the clash of immorality and injustice in society. Throughout the article, Agatha Christie's works such as "The Murder of Roger Ackroyd" and "There Were Ten of Them" are taken as objects of comparison.  In A. Christie's work "They were ten," the "samasud," that is, the detection and punishment of criminals beyond the reach of the law, can be observed in many characters in the work "Shaytanat." In the work "Shaytanat," the main motives that caused Asadbek to enter the world of crime, as well as the motives that served to enter the world of crime of other characters, are aimed at a deeper study.

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References

Agatha Christie, The Murder of Roger Ackroyd (London: William Collins Sons, 1926), p. 312

Agatha Christie, And Then There Were None (London: Collins Crime Club, 1939), p. 45

Albert Bandura. Social Learning Theory. 1977.

Bartol, C. R., & Bartol, A. M. Criminal Psychology: A Contemporary Introduction. Routledge, 2019.

Karimov, B. "New trends in Uzbek detective prose." Journal of Uzbek Literature, 2005.

Malik, T. Shaitanat. Tashkent: Sharq Publishing House, 1994.

Mario Puzo. The Godfather. 1969

Curran, J. (2011). Agatha Christie's secret notebooks. HarperCollins. 19 June 2017. June 19, 2017.

Karimov B. (2015). Criminal motifs in Uzbek literature. Tashkent.

Christie, A. (1939). There were ten of them. London: Collins Crime Club.

Makinen, M. (2006). Agatha Christie: The Study of Feminism. Palgrave McMillan.

Malik, T. (2013). Shaytanat (Book 1, p. 8). 76). - Тошкент: Шарқ.

Priestman, M. (2003). The Cambridge Companion to Crime Fiction. Cambridge University Press. 19 June 2017.

Scaggs, J. (2005). Criminal Literature. Routledge.

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Published

2026-05-23

How to Cite

Zarnigor Beknazarova Bakhromovna. (2026). Transformation Of Criminal Consciousness In Criminalogy And The Concept In Literature. Journal of Social Sciences and Humanities Research Fundamentals, 6(05), 54–57. https://doi.org/10.55640/jsshrf-06-05-10